Radio

10.05.16 – Philip Jeck – Live at The Battery, San Francisco – 17:26 – 320 kbps

As part of the Touch Conference series of events which took place on the west coast of USA April-May 2016. With thanks to Brooke Wentz.

Photo: Gun battery placement, Hawk Hill

22.04.12 – VINYL+, Live at ZKM, Karlsruhe 21st April 2012 – 63:16 – 192 kbps

Photo: Mike Harding and Philip Marshall

Achim Mohné [00:00 to 29:11] uses three Omnitronic decks, Philip Jeck [26:51 to 63:16] uses two Dancettes and sampler. Recorded by Philip Marshall from desk to hard drive.
The resurgence of vinyl in recent years is a phenomenon which has not gone unnoticed; as CD declines sharply, its audio limitations exposed not only by advances in other technologies, but also by the myths propagated at the inception of digital exposed, so artists explore and demand other formats to express their work. Although a business model is still some way off the traditional artist » label » distribution » shop paradigm, it is clear this is being radically overhauled and replaced by online sales platforms set up by the artists themselves. But vinyl seems to have escaped this process, and continues to grow. Why is that?

22.09.11 – Live at The Brücknerhaus – 32:58 – 192 kbps

Pic: “The Ghost of Philip Jeck” by Mike Harding

Philip Jeck in performance was recorded on 6th September 2011 at The Brücknerhaus, Linz, Austria for Prix Ars Electronica, at which Philip Jeck was awarded a Distinction for his LP ‘Suite: Live in Liverpool’ [Touch # Tone 29, 2009]. The multi-channel recording (2 channels off the desk, two in the room) was mixed for TouchRadio by BJNilsen.

21.08.09 – Rehearsal Tapes – 16:44 – 196 kpbs [VBR]

Photo: Jon Wozencroft

Rehearsal tapes from The Suffolk Symphony – recorded and edited during the residency (August 16th – 22nd).

On August 22nd 2009 Touch will present a multimedia performance of The Suffolk Symphony – the culmination of the week’s work undertaken during the residency.

Faster than Sound bring more imaginative experiments with sound and image to the Snape Proms with The Suffolk Symphony, a specially commissioned residency and new work by leading sonic and visual production company Touch. Inspired by the historic coastline of Aldeburgh and its surrounding area including Aldeburgh Music’s Snape Proms and its history, Touch will create a new audio-visual symphony from scratch, using only locally sourced sounds and images. Beginning on 16 August, Philip Jeck, BJNilsen, Jon Wozencroft, Philip Marshall and Mike Harding will go on a week-long treasure hunt to unearth old records, field recordings, home-made sounds and images to create a new multimedia Suffolk Symphony, culminating in its first performance on the 22 August.
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www.bjnilsen.com
www.philipjeck.com

11.06.05 – <a href=”https://www.touchshop.org/touchradio/Radio6.mp3″>from the archives</a> – 47:55

<img src=”https://www.touchshop.org/touchradio/images/Radio6.jpg” />

Photo: Mike Harding

Track 1 – Wholesome Sunday
(A live mix from the 2004 Mor festival, Ireland 22.08.04) 9:20
Track 2 – In Loving Memory: Walter Gibbons and Arthur Russell
(Originally recorded for the TRACE CD, Audio Research Editions, ARECD102, Liverpool, 1999) 2:04
Track 3 – Nelson Surfs [from Touch Sampler 2, 1997] 6:33
Track 4 – 16/17 Rehearsal [from Touch Sampler 3, 1999] 8:18
Track 5 – As My Shadow Passes… [from Touch Sampler 00, 2000] 9:37
and a special bonus:
Track 6 – Instructions for Survival 1 5:59
Track 7 – Instructions for Survival 2 6:33

Extracts from the live soundtrack “Instructions for Survival”, a dance production choreographed and danced by Charlie Morrisey &amp; Scott Smith on 3rd Fenbruary 2005 at the Corn Exchange, Brighton Dome. Recent performances were held at the Linbury Theatre, Opera House, Covent Garden, London on 22nd and 23rd July 2005.

Click here for <a href=”https://philipjeck.com”>Philip Jeck</a>’s website