Philip Jeck Live at The Anti-Design Festival, London | September 23rd 2010

Timed to coincide and in partnership with the London Design Festival, the Anti-Design Festival is an initiative of Neville Brody, designer, Director of Research Studios and incoming Head of Communication Art & Design at the Royal College of Art, London.
Londonewcastle Project Space

28 Redchurch Street, London E2 7DP
18-26 September 2010
Exhibitions: 11am – 7pm
Performances: 7-10pm
FREE entry
www.antidesignfestival.com

The Anti-Design Festival’s Performance Programme presents a panoply of experimental music, sound, moving image, spoken word, performance and digital practice by some of the most exciting artists working in the UK.

During each night of the festival, specially curated evenings will range from Mark Moore (S’Express) on Saturday 18 September, a daring sub cosplay event with sounds and performance curated by Emily Owusu (Grand Cos Play Ball) on Saturday 25 September and Resonance FM guest curating an event exploring negative space and anti-matter on Tuesday 21 September. On Monday 20 September, Cecilia Wee presents an evening of exploring electro-magnetism, data and ownership, Thursday 23 September sees Jon Wozencroft curating new work by Touch artist Philip Jeck and on Friday 24 September the Obsessive Classification Disorder (masterminded by Yomi Ayeni) takes over the Salon to re-order expectations and understandings of narrative a nd semiotics in a tableaux of story-telling and music. Other nights will feature a lecture about what art will look like in 50 years time by visual artist Tom Badley, new performance by the ever-provocative Mark McGowan, subliminal music by Jennifer Walshe, Rorschach flags made by Peter Lewis and Makiko Nagaya (Redux Projects), stroboscopic noise machines from Ryan Jordan, and new interactive work testing belief by Steven Ounanian

Performances will take place on a specially commissioned stage/interactive audio-visual installation by artists Charlesworth, Lewandowski & Mann, in collaboration with BBC R&D.